A live showhappens once.We make it travel.
A production exists for the people in the room, and then for everyone else. Our camera department covers both: the image cut live while the show is happening, and the content produced around it, made to carry the show far past the room it was built for.
IMAG taken to a cinematic level
During the show the cameras in the room feed the LED wall behind the performer: the artist on stage and the artist on the screen are the same person, at the same second. The cut is made live on the count of the score, so the frame changes with the music instead of chasing it, and the picture passes through the same real time engine that renders the content on the wall, so grade and effects land on the live signal. No second take, no pass in post. Every spectator ends up in the front row, and the same feed also reaches the screens outside the room.
A professional trailer for every production
For each show we produce a commercial trailer, and it is shot rather than assembled. Sets are lit for the camera, performers work for the frame instead of for the last row, and the edit is built on material filmed for that purpose, not on whatever a night of stage coverage happened to give us. The result promotes the artistic product properly: the strengths of the performance, the atmosphere it creates, and one piece of content cut to work across every distribution channel.
Finally, the show must live forever. Beyond the live audience, we use cinematic lenses to capture the soul of the production. We immortalize the ephemeral, bringing your vision to every screen, all over the world.
Multi camera documentation
Full show capture, cut for archive and for distribution.
Live broadcast feeds
Clean feeds engineered alongside the show control system.
Marketing content
Trailers, teasers and cutdowns produced for every channel.
Original soundtracks
Composed and mixed in the Spring studios in Italy.
